You may be inclined to put full responsibility for accuracy
on the reporter. But don’t be too quick with that assumption. Your performance
in the interview, along with your willingness to guide and educate a reporter
can make a tremendous contribution to accuracy in the story.
According to an article by NewsLab.org, a website for
broadcast journalists, research suggests that “newsrooms have room for
improvement when it comes to ensuring the accuracy of what they put on the
air.”
“With staff cuts in
many newsrooms, fewer people are involved in checking scripts for errors,” the
article says. “That makes it more important than ever for anyone involved in
producing content to double check for accuracy.”
While you won’t be in the newsroom with reporters and
producers when the story is assembled, there is much that you can do at the
interview stage to assure accuracy in the story.
The NewsLab.org article includes a 10-point checklist to
help reporters improve accuracy. Here’s the reporter’s checklist, along with
suggestions about what you can do to contribute to a story’s accuracy.
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Reporter’s Checklist for Accuracy
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How You Can Contribute to Accuracy
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1. Confirm information that
could be in doubt
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Any unattributed
information (information that has no name attached to it) is a red flag,
demanding further investigation. Even two sources may not constitute
confirmation, because one source may have learned the information from the
other. Always ask: How do they know what they know, and why are they telling
me this?
· Make sure that anyone claiming to be an eyewitness
actually was at the scene and in a position to observe what they are telling
you. In breaking news situations in particular, people often sound
authoritative when they are actually passing along unconfirmed rumors.
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Recognize that the best source of factual information
about your organization is a forthright spokesperson from within your
organization. Be ready and willing to provide a reporter with factual
information from your organization’s point of view. Tell your story your way.
Recognize that the news media will be seeking comments
from others outside your organization. This is legitimate reporting, and it
is beyond your control. Your responsibility to the organization is to make
certain the story represents the organization’s point of view. Make certain
your comments address the concerns and fears of your audiences. Pre-empt
outside speculation with authoritative information.
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2. Clarify context
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Make sure the sound bites
you choose fully capture what each person meant to say. A survey of people
who were sources in television news stories found that one person in three
said important information was left out of a story and one in five complained
that his or her interview was taken out of context.
·
If you need to, add
information in your narration/track to put comments into context.
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Give reporters the context they need rather than relying
on them to figure it out. In answer to any question, say what your mean by
phrasing it in a succinct, clear, positive statement. Then follow it up with
details if the reporter needs clarification.
Avoid the temptation to defend, deny, justify or debate.
This requires that you work from a well-planned agenda.
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3. Look for what might be
missing
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Review your script with an
eye to significant information or points of view that have not been included.
Look at each sound bite, in particular, and ask: Who would disagree or take a
different position?
·
Contact people whose views
are not reflected in the story and give them a chance to talk. If they
decline, make mention of that in your story.
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Be wary of questions that ask you to respond to what
others have said (third-party questions). They can draw you into an unexpected
and unnecessary conflict.
Remember that you cannot prevent a reporter from seeking
comments from other sources. You can
make certain that your organization’s perspective is accurately represented.
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4. Review for focus
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Make sure your story backs
up your lead. Have you over-reached or over-stated the story?
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Restate the focus of your
story, and review the script to see if you have stayed on point or strayed
from your focus. (A bonus: This is a good way to find places where you can
trim the script to save time.)
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Have the reporter explain the story before being
interviewed. You have a right to know the angle of the story before you
answer the first interview question. Don’t be afraid to ask.
However, don’t accept the reporter’s focus as necessarily
correct or even appropriate. You must always answer questions from your
organization’s perspective and on your terms.
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5. Check names, places, titles
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Be sure you have attributed
information to the correct source in every case.
·
Make sure you have checked
the spelling of proper names. If possible, check directly with the source.
Press releases can be wrong. Even business cards may not show a current
title.
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Make sure you give the reporter your name and title and
the proper spelling of both. For a broadcast interview, give it to them on
tape to be sure they have it accurately. Don’t assume that your job title
will make sense to those outside your organization. Briefly explain your
position and its duties/responsibilities.
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6. Check spelling, grammar,
usage
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Spelling and grammar
count--especially in this age of graphics, closed captioning and Web usage.
If you are not positive about a spelling, look it up.
·
Read scripts out loud to
find and fix grammar and usage problems. If in doubt, ask a colleague or
check a reference guide.
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Spell out and explain any terminology that is unique to
your organization, your profession or your industry. Don’t expect the
reporter to understand it just because you do.
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7. Do the math
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Stories with numbers must
be checked to make sure the numbers add up. Recalculate percentages, percent
change, ratios, and the like, no matter where you got them. Online
calculators make this much easier than it sounds.
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Check with an expert not
involved in the story if you have any questions about how the numbers were
calculated.
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Be certain of your math and numbers before doing any
interview that relies on them. Help reporters avoid mistakes and confusion by
presenting numerical or statistical information simply, clearly and
accurately.
Remember, you can be a background expert. One way to build
a strong, positive relationship with the media is to offer to provide
background information and expertise in your area.
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8. Fact check graphics
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Make sure the information
you provide to graphics is correct--especially numbers. Call to confirm all
telephone numbers and visit all Web addresses.
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Look at the completed
graphic before air to catch mistakes.
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Again, help avoid mistakes and confusion by assuring that
your numbers are accurate and presented clearly.
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9. Be precise about
pronunciations
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Make a habit of checking
the pronunciation of names and places while you are in the field. Ask people
to say their names on tape, so you can go back and listen, if necessary.
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If you are new to an area,
be extra careful with names and places that may look familiar but could be
pronounced quite differently from what you expect. Nothing raises more doubts
about your credibility than mispronouncing a word your audience thinks you
should know.
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A good reporter will appreciate your help with proper
pronunciation of names, geographic locations, industry or professional
jargon, etc.
When you help a reporter avoid an on-air mistake in
pronunciation, you demonstrate two things to that reporter:
First, that you are interested in accuracy; and
Second, that you are helpful.
Both can result in a better interview and a better story.
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10. Screen the finished story
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Be sure that your words and
pictures are telling the same story.
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Be sure the narration and
sound bites match the finished script, and that mistakes have not crept in
during tracking or editing.
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Recognize that your non-verbal communication (your body
language) may contradict your spoken words. This is true and important for
both on-camera and print interviews. Learn to be aware of such things as facial
expression, hand gestures and posture. Use these to communicate sincerity and
honesty.
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