
Most
of the sites we design at IMA “scroll,” that is, accommodate any length of text
on the page, which the user accesses by using the scroll bar at the right of
the Internet browser. However, our own site, and the sites we designed for
Getnick & Getnick and Maria Taglienti Photography, as well as the site
we’re contemplating for the Balanchine 100 anniversary, all use a paging
metaphor – text is confined to a single screen, and the user clicks a button on
the page to move to the next page.
There are pros and cons to both approaches, of course. There
is often a tendency to overload a scrolling page past the usability metric of
“three screens of content,” simply because once the content disappears under
the scroll bar, it no longer exists in the developer’s or the content
producer’s mind. But it is not optimal design because research shows that users dislike long scrolling pages.
Length is also a detriment in the paging metaphor, as the
reader needs to keep clicking a next button to continue to read content. In
addition, a printer friendly version (which contains all of the content and
therefore scrolls) is generally considered a requirement for pages that are
candidates for printing. This is one reason, for instance, that IMA press
releases appear in a printer-friendly version only, and why descriptions of
Getnick & Getnick practice areas appear in both printer-friendly and paging
versions. Otherwise, the user would
have to keep clicking and printing through a series of pages – which is not a
solution that we would recommend.

So
why use the paging metaphor at all? The elegance of having all the content on a
single page is the major reason – there is a certain stylized feel to a
constrained space that a scrolling page cannot fully approximate. Pages that
are driven exclusively by Flash, such as Maria Taglienti’s site, or the
majority of the IMA Web site, must, in fact, be contained within a specifically
sized window.
One of the lessons we’ve learned at IMA, though, is to be
careful to apply the paging metaphor only to pages that will not be changing
often, particularly when changes have an “overflow” effect to later sections of
the page. Having to re-situate the content continually makes maintenance more
difficult than it needs to be. This is why sites such as the Balanchine 100,
which has a limited shelf life and will have highly static content – and which
by its subject matter lends itself to an elegant presentation – are much better
candidates than sites such as the recently completed, content rich, continually
changing IATSE-International site.